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Showing posts with label Expert signatures. Show all posts
Showing posts with label Expert signatures. Show all posts

Tuesday, 29 January 2019

Stamps Expertisation: Past and Present


In the past, dealers and experts guaranteed stamps by signing them on the reverse, sometimes by hand and sometimes with a handstamp. 
This method had a number of disadvantages.
 First, it was unclear what the signature was meant to claim. 
Second, it was open to abuse: you could get an expert to sign a relatively common stamp and then you could later add a rare overprint and point to the signature as a guarantee. To try to stop this abuse, experts sometimes signed twice when given an overprinted stamp - once for the stamp, once for the overprint. 
Third, handstamp ink often penetrated to the front of the stamp, causing an immediate reduction in value. 
Fourth, over time collectors forgot who the experts were especially when they signed with initials or a symbol. 
Fifth, when someone got it wrong, the mark on the back either had to be crossed out or otherwise commented upon. I have several stamps in my stock where an expert has written FAKE or FORGERY or FALSCH and has later changed their mind and crossed it out and signed again. These stamps are not saleable.

Modern photographic, scanning and computer print technology allows a much better way of doing things. At no great cost, an expert can now link a stamp to a printed document and not sign the stamp at all. This is now standard procedure for most experts, including anyone who is a Verbandspruefer of the German Bund Philatelisticher Pruefer e. V. Here’s an example. 

Note how both the back and front of the stamp are photographed, in high resolution, and how the “Attest” format allows for comment and explanation. Even twenty years ago, to produce a document to this standard would have been quite expensive; nowadays, a desktop computer and scanner are all that is needed apart from the security-printed “Attest” formular.





Click on Images to Magnify

Wednesday, 18 May 2011

Never Let Anyone Sign Your Covers!

I am looking at a photograph in the Private Treaty section of an upcoming Bolaffi sale. It shows an 1858 cover with a bisected Romagna stamp catalogued at a cool quarter of a million euros. The bisected stamp is surrounded by SIX pencilled autographs and one handstamped signature. Bottom right of the cover there is a further pencilled autograph. The catalogue lists them all: Giulio Bolaffi, A.G.Bolaffi, Emilio, Alberto and Enzo Diena, Mauritio Raybaudi and Renato Mondolfo.

I am asking myself, By how much do these signatures and the handstamp reduce the value of this item?

Consider:

(1) If you try to rub out these signatures, you not only cause surface scuffing but risk creasing the item - something all dealers have done (and often do) when they rub out one pencilled price to replace it with their own

(2) You can't rub out a handstamp. If someone makes a mistake with a handstamp, it has to be crossed through in ink and a correcting note added - I have seen this often enough on the backs of stamps. Who wants a stamp or a cover which is a visible record of someone's mistakes?

(3) It can never be clear what a signature is signing. It is always ambiguous. That is why a Certficate is necessary to clarify what has been signed. But if you have the Certificate with a photograph attached, you do not need the pencilled signature or the handstamp: it's redundant

(4) A cover can be altered after it has been signed - something added or taken away to "improve" it. In that sense, the signature is strictly worthless and potentially misleading. In contrast, it's a lot more difficult to amend a Certificate. Of course, you can fake it outright - but that is generally a lot more difficult than forging a signature or even faking a less valuable (but signed) into a more valuable (but still signed) cover

(5) The cover is supposed to be a collectible object and to be preserved in the best state possible. Signatures deface the object. No one would hand the Mona Lisa over to a bunch of experts and invite them to decorate it (in felt tip?) with their signatures to "prove" its authenticity.

Conclusion? I reckon a cover decorated with signatures is worth about a quarter to a half less than a cover without them - and as part of an Exhibit, it ought to lose points in a similar proportion.

Am I wrong?